Alternative comedy has developed its own distinctive vocabulary over the decades—terms that describe specific techniques, approaches, and movements within the broader landscape. This comprehensive glossary collects and defines these essential terms, from technical comedy vocabulary to influential movements and styles.

Whether you're a comedy scholar, an aspiring performer, or simply a curious fan, this A-Z resource will help you navigate the rich and evolving language of alternative comedy.

A

Alternative Comedy

A broad label for comedy that exists outside mainstream conventions, typically characterized by experimentation, personal voice, and rejection of traditional joke structures. The term originated in the UK in the late 1970s to describe politically progressive comedy that opposed the racist, sexist material common in working men's clubs.

In contemporary usage, "alternative comedy" encompasses diverse approaches united by their departure from conventional comedy formats and content, often involving greater experimentation, more personal perspectives, and a willingness to challenge audience expectations.

Historical Example:

London's Comedy Store (established 1979) became the epicenter of British alternative comedy, providing a platform for performers like Alexei Sayle, Rik Mayall, and French & Saunders who explicitly rejected the regressive humor of mainstream clubs.

Anti-Comedy

Comedy that deliberately subverts conventional setup-punchline structures and audience expectations about what is supposed to be funny. Anti-comedy often involves intentionally awkward delivery, non-sequiturs, or deliberately failed jokes, creating humor through the violation of comedy norms rather than through traditional joke mechanics.

Notable Practitioners:

Andy Kaufman, Neil Hamburger, Tim Heidecker, Kate Berlant

See also: Deadpan, Meta-Comedy, Cringe Comedy

Absurdism

A comedic approach centered on illogical scenarios, surreal imagery, and deliberate violation of rational thinking. Absurdist comedy often creates dreamlike or nonsensical situations that operate according to their own internal logic (or lack thereof).

While often associated with European artistic traditions, absurdism has become a significant element of alternative comedy, particularly in sketch comedy and certain types of character work.

Notable Examples:

Monty Python's Flying Circus, Tim and Eric Awesome Show, Great Job!, Julio Torres' "My Favorite Shapes"

See also: Non-Sequitur, Surrealism

Alt Room

A performance venue for alternative comedy that exists outside the traditional comedy club circuit. Alt rooms are typically smaller spaces (bookstores, theaters, music venues, art galleries) that foster experimentation and often have different audience expectations than conventional clubs.

These spaces historically served as incubators for alternative comedy voices, providing performance opportunities for comedians whose material might not fit the format or content expectations of mainstream venues.

Notable Alt Rooms:

Uncabaret (Los Angeles), Luna Lounge (New York), The Alternative Comedy Memorial Society (London)

See also: Micro-Venue, Pop-Up Comedy

B

Bit

A discrete segment of comedy material, usually centered around a specific premise or idea. In alternative comedy, bits often have more complex structures and may extend beyond conventional joke formats to include character work, storytelling elements, or conceptual humor.

The term is also used as a verb ("doing a bit") to describe when someone is performing or extending a comedic premise, either on stage or in everyday life.

In Context:

"Her bit about the sentient GPS was the highlight of the show."

"Are you being serious right now, or is this a bit?"

Beat

A moment of pause, emphasis, or transition in a comedy performance. Comedians use beats to control timing, emphasize punchlines, or create space for audience reaction. In writing, the term can also refer to distinct moments or units within a comedic scene or bit.

In Usage:

"Hold for a beat after the reveal, then deliver the tag."

"This sketch has three main beats: the setup, the escalation, and the absurd conclusion."

Bombing

Performing comedy to little or no laughter from the audience, typically considered a failure in conventional comedy. In alternative comedy contexts, however, bombing may sometimes be intentional or incorporated into the performance itself as meta-commentary.

Some alternative comedians deliberately play with audience discomfort or silence, blurring the lines between successful performance and bombing.

Notable Usage:

Andy Kaufman's "Foreign Man" character would intentionally perform poorly before revealing his actual skill, making the "bombing" part of the art itself.

See also: Anti-Comedy, Cringe Comedy

C

Callback

A reference to previous material later in a performance, creating humor through recognition and context. While callbacks exist in traditional comedy, alternative comedians often use them in more complex or layered ways, sometimes referencing material across different performances or media.

Example:

In long-form podcasts like "Comedy Bang! Bang!", callbacks to jokes or characters from episodes years earlier create community among regular listeners through shared references.

Character Comedy

Comedy performed through a fictional persona or character rather than as oneself. Character comedy has been particularly important in alternative comedy, allowing performers to explore unusual perspectives, behaviors, or comedic premises that would be difficult to present as themselves.

In the alternative comedy context, character work often involves deeper commitment to the persona, exploration of the character's psychology, and may blend with performance art approaches.

Notable Practitioners:

Maria Bamford, Sacha Baron Cohen, Kate Berlant, Megan Stalter

See also: Persona, Transformation

Cringe Comedy

Comedy that deliberately creates uncomfortable or awkward situations, deriving humor from the audience's empathetic discomfort. This approach often involves characters who violate social norms, misread situations, or demonstrate painful self-delusion.

Cringe comedy has become particularly associated with alternative comedy in both British and American contexts, representing a willingness to explore discomfort rather than simply generating pleasant laughter.

Notable Examples:

"The Office" (UK), "Nathan For You," "I Think You Should Leave with Tim Robinson"

See also: Awkward Pause, Discomfort Humor

Conceptual Comedy

Comedy driven primarily by ideas or concepts rather than traditional jokes or observations. Conceptual comedy often prioritizes originality of premise over conventional laugh density, sometimes blending with performance art or experimental theater approaches.

This approach is particularly associated with alternative comedy's interest in formal experimentation and pushing the boundaries of what can be considered comedy.

Example:

Reggie Watts's performances blend music, standup, and improvisation in ways that prioritize conceptual exploration over traditional joke structures.

See also: Experimental Comedy, Performance Art

D

Deadpan

A deliberately expressionless or flat delivery style that contrasts with the absurd or extreme content being described. Deadpan delivery is particularly common in alternative comedy, where the contrast between serious presentation and bizarre content creates tension and comedic effect.

Notable Practitioners:

Steven Wright, Tig Notaro, James Acaster, Julio Torres

See also: Anti-Comedy, Irony

Deconstruction

The process of analyzing, questioning, or breaking down comedy conventions and assumptions within a performance. Deconstructive comedy often draws attention to the mechanics of comedy itself, creating meta-commentary on the expectations and structures of humor.

This approach is closely associated with alternative comedy's interest in formal experimentation and self-awareness. It may involve commenting on joke structure, audience-performer relationships, or the social function of comedy.

Notable Example:

Hannah Gadsby's "Nanette" explicitly deconstructs stand-up comedy conventions, questioning the form's reliance on tension and release particularly around traumatic material.

See also: Meta-Comedy, Form-Breaking

Discomfort Humor

Comedy that deliberately evokes feelings of awkwardness, embarrassment, or social tension. While traditional comedy often seeks to create comfortable laughter, discomfort humor intentionally creates complicated emotional responses in the audience.

This approach is particularly associated with alternative comedy's willingness to challenge audience expectations and explore more complex emotional landscapes beyond simple pleasure.

Notable Practitioners:

Eric Andre, Sacha Baron Cohen, Nathan Fielder, Tim Robinson

See also: Cringe Comedy, Anti-Comedy

E

Experimental Comedy

Comedy that deliberately tests boundaries, explores new forms, or challenges conventional assumptions about what comedy can be. Experimental approaches prioritize innovation and artistic exploration over reliable laugh generation, often incorporating elements from other art forms.

This term encompasses a broad range of alternative comedy practices united by their emphasis on pushing the form in new directions rather than working within established conventions.

Notable Examples:

"The Eric Andre Show," Bo Burnham's "Inside," Reggie Watts's improvised musical comedy

See also: Conceptual Comedy, Form-Breaking

Escalation

The technique of intensifying a comedic premise through progressive heightening or increasingly extreme examples. While basic escalation exists in traditional comedy, alternative comedy often pushes escalation to absurd extremes or uses it to subvert audience expectations.

Example:

In "I Think You Should Leave with Tim Robinson," sketches frequently begin with minor social faux pas that escalate to surreal, existential breakdowns far beyond the initial premise.

F

Form-Breaking

Deliberately violating established conventions of comedy performance to create new possibilities or comment on the form itself. Form-breaking is a key aspect of alternative comedy's emphasis on experimentation and challenging audience expectations.

This can include disrupting expected performance structures, violating the fourth wall, or creating unusual relationships between performer and audience.

Example:

Bo Burnham's special "Inside" breaks from stand-up comedy conventions by removing the audience entirely and documenting the process of creation itself.

See also: Meta-Comedy, Deconstruction

Found Comedy

Humor derived from real-world materials not originally intended to be funny, such as instructional videos, local commercials, or awkward social media posts. Found comedy involves recontextualizing existing content to highlight its unintentional humor.

This approach is particularly associated with alternative comedy's interest in examining cultural artifacts and finding humor in unexpected places beyond traditional joke creation.

Notable Examples:

"Everything Is Terrible!", "Found Footage Festival," certain segments on "The Eric Andre Show"

G

Game of the Scene

In improvisational comedy, the central pattern of unusual behavior or comedic premise that drives a scene. Alternative comedy approaches often involve finding more unusual or complex games that might not work in more conventional improv formats.

The concept originated with Del Close and the Upright Citizens Brigade (UCB) improvisational method but has influenced many areas of alternative comedy beyond improv.

In Context:

"The game of this scene is that everyone pretends to know what NFTs are but has increasingly absurd misconceptions."

H

Heightening

The technique of intensifying a comedic premise by raising the stakes, increasing the absurdity, or exploring more extreme examples. Heightening is a fundamental technique in both traditional and alternative comedy, though alternative approaches may push heightening in more surreal or unexpected directions.

In Context:

"Start with a small lie about your day, then keep heightening until you're claiming to have been abducted by celebrity aliens."

See also: Escalation, Game of the Scene

I

Irony

A comedic technique involving a contrast between stated meaning and actual meaning, or between expectation and reality. While irony exists in all forms of comedy, alternative comedy often employs more complex layers of irony that may be challenging to distinguish from sincerity.

In some alternative comedy contexts, irony may be so layered that the distinction between ironic and genuine expression deliberately blurs, creating ambiguity for the audience.

Example:

Tim Heidecker's stand-up persona presents conservative opinions so obviously flawed and poorly articulated that the ironic intent is clear, while maintaining complete deadpan commitment to the character.

See also: Post-Irony, Meta-Comedy

Improv (Improvisational Comedy)

Comedy created spontaneously without pre-planning or scripting. While improv exists in multiple formats, alternative comedy approaches often involve looser structures, more experimental premises, and deliberate subversion of traditional improv "rules."

Many alternative comedians incorporate improvisational elements into otherwise scripted shows, creating hybrid forms that blend prepared material with spontaneous creation.

Alternative Improv Examples:

The Stella trio (Michael Showalter, Michael Ian Black, and David Wain), Reggie Watts's improvised musical comedy, certain segments on "Comedy Bang! Bang!"

K

Kaufmanesque

Referring to comedy in the style of Andy Kaufman, characterized by elaborate character work, blurring the line between performance and reality, and willingness to alienate or confuse the audience for artistic effect. The term has become shorthand for particularly experimental or audience-challenging comedy.

In Context:

"Her set was very Kaufmanesque—she maintained the character even as people were walking out, never breaking to reassure the audience it was just an act."

See also: Anti-Comedy, Performance Art

L

Long-Form

Comedy that develops over an extended period rather than through discrete jokes or bits. Long-form approaches allow for more complex narrative development, character exploration, or thematic depth than conventional comedy formats.

Alternative comedy has been particularly important in developing long-form approaches across different media, from theatrical one-person shows to narrative podcasts to experimental comedy specials.

Notable Examples:

Mike Birbiglia's theatrical shows, narrative podcasts like "Hello From The Magic Tavern," concept albums like Bo Burnham's "Inside"

M

Meta-Comedy

Comedy that is self-referential, commenting on its own conventions, construction, or performance. Meta-comedy draws attention to the artifice of performance, often breaking the fourth wall or otherwise acknowledging the constructed nature of the comedy experience.

This self-awareness is particularly associated with alternative comedy's interest in examining and subverting comedy conventions rather than simply using them.

Notable Examples:

Stewart Lee's direct commentary on his own performance techniques, Kate Berlant's self-conscious character work, Bo Burnham's songs about performing comedy

See also: Deconstruction, Form-Breaking

Micro-Venue

A very small, often non-traditional space for comedy performance, typically holding audiences of 20-75 people. Micro-venues create intimate performance environments that allow for greater experimentation and direct audience connection than larger spaces.

Following the COVID-19 pandemic's impact on traditional venues, micro-venues (including shows in bookstores, art galleries, private homes, and repurposed retail spaces) have become increasingly important in alternative comedy scenes.

Examples:

Living room shows, bookstore back rooms, art gallery performances, converted retail spaces

See also: Alt Room, Pop-Up Comedy

N

Non-Sequitur

A statement or element that does not logically follow from what preceded it, creating humor through unexpected disconnection. Non-sequiturs are particularly common in absurdist alternative comedy, where they disrupt logical narrative flow and create surprising juxtapositions.

Example:

In Monty Python sketches, scenes often end with completely unrelated elements (like a knight hitting characters with a rubber chicken) rather than traditional punchlines.

See also: Absurdism, Surrealism

O

One-Person Show

A theatrical performance created and performed by a single performer, often blending comedy with storytelling, character work, and sometimes dramatic elements. One-person shows have been particularly important in alternative comedy for allowing extended exploration of personal material and complex themes.

While traditional stand-up is technically performed solo, one-person shows typically involve more theatrical elements, character work, narrative structure, or multimedia components than conventional stand-up.

Notable Examples:

Mike Birbiglia's "Sleepwalk With Me," Hannah Gadsby's "Nanette," Spalding Gray's monologues

See also: Storytelling, Long-Form

P

Performance Art

The intersection of comedy with performance art approaches, often involving conceptual frameworks, durational elements, or interdisciplinary techniques beyond conventional comedy. Performance art comedy may prioritize artistic exploration over consistent laughs.

The boundaries between alternative comedy and performance art have become increasingly porous, with many performers working across both contexts and incorporating elements from each tradition.

Notable Practitioners:

Reggie Watts, Kate Berlant, Eric Andre, Andy Kaufman

See also: Conceptual Comedy, Experimental Comedy

Persona

A consistent character or version of oneself that a comedian presents on stage, often heightening or modifying aspects of their actual personality. Alternative comedians frequently play with the boundaries between genuine self and performed persona, sometimes making the distinction deliberately ambiguous.

Examples:

Maria Bamford's exaggerated version of herself, Stephen Colbert's right-wing character on "The Colbert Report," Bo Burnham's self-aware stage presence

See also: Character Comedy, Meta-Comedy

Pop-Up Comedy

Comedy shows that appear temporarily in non-traditional or changing venues rather than permanent locations. Pop-up comedy creates ephemeral performance spaces that may be adapted to specific shows or concepts.

Following the COVID-19 pandemic, pop-up comedy has become increasingly common in alternative comedy scenes, allowing for more flexible, lower-overhead show production than traditional venues.

Examples:

Shows in warehouse spaces, temporarily transformed retail locations, outdoor performances in unexpected settings

See also: Micro-Venue, Alt Room

Post-Irony

An approach that deliberately blurs the boundaries between ironic and sincere expression, making it difficult to distinguish between genuine sentiment and satirical commentary. Post-ironic comedy creates ambiguity about the performer's actual position or intent.

This approach is particularly associated with digital-era alternative comedy and represents a response to the ubiquity of irony in contemporary culture.

Examples:

Certain aspects of Tim Heidecker's work, Nathan Fielder's ambiguous self-presentation, aspects of "I Think You Should Leave with Tim Robinson"

See also: Irony, Meta-Comedy

R

Rule of Three

A classic comedy structure where the first two items establish a pattern, and the third breaks it in an unexpected way. While this is a traditional comedy technique, alternative comedians often subvert the rule of three itself by breaking the expected pattern in more radical ways.

Standard Example:

"I need three things for a successful vacation: sunscreen, a good book, and a legally binding alibi."

Subverted Example:

"I need three things for a successful vacation: sunscreen, a good book, and..." [30 seconds of silence while staring intensely]

S

Surrealism

Comedy that incorporates dreamlike imagery, impossible scenarios, or deliberately irrational elements. Surrealist comedy often creates its own internal logic that deliberately breaks from conventional reality.

While related to absurdism, surrealism typically emphasizes visual or conceptual strangeness over purely logical disconnection, often creating disturbing, beautiful, or uncanny imagery alongside humor.

Notable Examples:

Aspects of Monty Python animations, Tim and Eric's visual aesthetic, Julio Torres's conceptual comedy

See also: Absurdism, Non-Sequitur

Storytelling

Comedy that emphasizes narrative structure and personal experience over traditional joke formats. Storytelling comedy often blends humor with emotional complexity, personal revelation, or social commentary.

While storytelling exists in traditional comedy, alternative comedy approaches often involve more complex narrative structures, greater emotional range, and less emphasis on consistent laugh rates throughout the story.

Notable Practitioners:

Mike Birbiglia, Hannah Gadsby, Tig Notaro, John Mulaney

See also: One-Person Show, Long-Form

Satire

Comedy that critiques individuals, institutions, or social phenomena through irony, exaggeration, or ridicule. While satire has ancient roots, alternative comedy often employs more complex, layered satirical approaches that may be less immediately obvious than traditional satire.

In alternative comedy contexts, satire may blur with absurdism, post-irony, or meta-commentary, creating multiple levels of meaning beyond straightforward critique.

Alternative Satire Examples:

"Nathan For You" satirizing capitalist business practices through seemingly earnest consultation, "The Eric Andre Show" deconstructing talk show conventions through chaotic subversion

T

Transformation

The technique of physically, vocally, or psychologically becoming a character different from oneself during performance. Transformation comedy emphasizes the performer's versatility and commitment to embodying different perspectives.

Notable Practitioners:

Maria Bamford (known for rapid transitions between multiple character voices), Sacha Baron Cohen (fully inhabiting characters like Borat), Kate McKinnon (physical transformation into various personalities)

See also: Character Comedy, Persona

Tag

An additional punchline or joke that follows the main punchline, extending the humor of a bit. While tags exist in traditional comedy, alternative comedians often use multiple tags to create more complex or escalating comedic structures.

Example:

John Mulaney often uses extended sequences of tags, each building on the previous one, to create elaborate comedic scenarios rather than simply moving to a new joke.

U

Uncomfortable Silence

The deliberate use of prolonged silence or pause to create tension, awkwardness, or unexpected rhythmic disruption in comedy. While traditional comedy uses silence sparingly, alternative comedy may lean into extended silences as a comedic technique itself.

Example:

Andy Kaufman would sometimes stand silently on stage for extended periods, making the audience's discomfort part of the performance itself.

See also: Awkward Pause, Discomfort Humor

V

VR Comedy

Comedy performances specifically created for or adapted to virtual reality environments. VR comedy leverages the unique capabilities of the medium, including embodied presence, spatial relationships, and impossible physics.

As VR technology has become more accessible, dedicated comedy venues have emerged within virtual platforms like VRChat and AltspaceVR, creating new possibilities for performance that transcend physical limitations.

Examples:

The Comedy Constellation in VRChat, Reggie Watts's VR performances, comedy shows in Meta Horizon Worlds

W

Webcomic

Comics published primarily online, often with alternative sensibilities that differ from print comics. Webcomics have been particularly important in alternative comedy for allowing unconventional formats, experimental approaches, and direct creator-audience relationships without publisher interference.

Alternative Comedy Webcomics:

"Achewood" by Chris Onstad, "Poorly Drawn Lines" by Reza Farazmand, "Hyperbole and a Half" by Allie Brosh

Z

Zany

A comedic quality characterized by exaggerated, energetic, and often physically expressive humor that embraces silliness and chaos. While sometimes used dismissively, zaniness has been reclaimed in alternative comedy as a legitimate aesthetic approach that can contain sophisticated ideas beneath its frenetic surface.

Notable Practitioners:

Eric Andre, Sarah Sherman (Sarah Squirm), certain aspects of Tim and Eric's work